THE PERFECT STORM | 2000

I Supervised pre-production, digital wave development, and live action photography for Industrial Light & Magic.

CONTACT | 1997

I supervised live action photography and post production for Sony Pictures Imageworks.

FORREST GUMP | 1994

I was a CG Supervisor on Gump and oversaw the artists for the Feather, Ping Pong, Lt. Dan's Legs, and Vietnam sequences. I was fortunate to win Oscar and BAFTA awards for my contributions to the movie.  

JURASSIC PARK| 1993

TERMINATOR 2 | 1991

THE ABYSS | 1989

This was one of my first shots as an artist at ILM and coincidentally was one of the two first digital composites ever completed. Up to this point, we would render the Pseudopod against black and deliver it with the alpha channel as a separated pass to be optically composited against a background plate.